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Read e-book online Augustine's Confessions: Communicative Purpose and Audience PDF

By Annemare Kotze

This publication is ready the communicative function and the viewers of the Confessions. It illuminates the measure to which the communicative objective of the paintings is to transform its readers, i.e. a protreptic goal, and the measure to which the objective viewers might be pointed out as Augustine's strength Manichaean readers. a short survey of attainable literary antecedents issues to the lifestyles of different works that include a similar blend of an autobiographical part (a conversion tale) with a polemical and exegetical part (an argument that goals to persuade the reader of the advantages of a selected viewpoint) that characterizes the Confessions. The e-book presents a brand new point of view at the which means and constitution of Augustine's usually misunderstood masterpiece.

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Read Online or Download Augustine's Confessions: Communicative Purpose and Audience (Supplements to Vigiliae Christianae, V. 71) PDF

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Additional info for Augustine's Confessions: Communicative Purpose and Audience (Supplements to Vigiliae Christianae, V. 71)

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Joseph Lienhard’s ‘Reading the Bible and Learning to Read: The Influence of Education on St. Augustine’s Exegesis’ (1996) examines the reading culture Augustine worked in. Another work that is not dedicated to Confessions per se but offers a continuous and perceptive reading of the text of books 1 to 9 is Brian Stock’s Augustine the Reader (1996). Stock’s analyses serve to underscore the sophistication and intricacy of Augustine’s writing. He follows one of the lines of the contrapuntal composition in a way that illustrates that we have here a masterly creative agent at work and that we should remain humble and cautious in our judgement of an ancient rhetorician’s compositional abilities.

Joseph Lienhard’s ‘Reading the Bible and Learning to Read: The Influence of Education on St. Augustine’s Exegesis’ (1996) examines the reading culture Augustine worked in. Another work that is not dedicated to Confessions per se but offers a continuous and perceptive reading of the text of books 1 to 9 is Brian Stock’s Augustine the Reader (1996). Stock’s analyses serve to underscore the sophistication and intricacy of Augustine’s writing. He follows one of the lines of the contrapuntal composition in a way that illustrates that we have here a masterly creative agent at work and that we should remain humble and cautious in our judgement of an ancient rhetorician’s compositional abilities.

Her aim to establish the link between the autobiographical and the exegetical parts of the work coupled with her insistence that ‘compréhension de soi’ constitutes the goal of the Confessions, indicate that her expectations of the text remain essentially the same as for a modern autobiography. ’ (1994, 164–166). Paolini (1982) sees in the Confessions the origin of ‘confession as a literary genre,’ and describes it as the first exponent of ‘Christian literary confession’ (1982, 7) or as ‘confessional autobiography’ (1982, 19).

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